An examination of various cultural concepts of space and how differences among them affect modern society. Introducing the science of “proxemics,” Hall demonstrates how man’s use of space can affect personal business relations, cross-cultural exchanges, architecture, city planning, and urban renewal.
The songlines are the invisible pathways that criss-cross Australia, ancient tracks connecting communities and following ancient boundaries. Along these lines Aboriginals passed the songs which revealed the creation of the land and the secrets of its past. In this magical account, Chatwin recalls his travels across the length and breadth of Australia seeking to find the truth about the songs and unravel the mysteries of their stories.
This parable tells the story of an air pilot who meets a Little Prince when he has to make a forced landing in the Sahara Desert. The Little Prince tells him wise and enchanted stories.
An insightful how-to guide for writing screenplays that uses Aristotle’s great work as a guide. Long considered the bible for storytellers, Aristotle’s Poetics is a fixture of college courses on everything from fiction writing to dramatic theory. Now Michael Tierno shows how this great work can be an invaluable resource to screenwriters or anyone interested in studying plot structure. In carefully organized chapters, Tierno breaks down the fundamentals of screenwriting, highlighting particular aspects of Aristotle’s work. Then, using examples from some of the best movies ever made, he demonstrates how to apply these ancient insights to modern-day screenwriting. This user-friendly guide covers a multitude of topics, from plotting and subplotting to dialogue and dramatic unity. Writing in a highly readable, informal tone, Tierno makes Aristotle’s monumental work accessible to beginners and pros alike in areas such as screenwriting, film theory, fiction, and playwriting.
The Asian literary phenomenon of the 90s. More magical than Mistry, more of a rollicking good read than Rushdie, more nerve-tinglingly imagined than Naipaul, here, perhaps, is the greatest Indian novel by a woman. Arundhati Roy has written an astonishingly rich, fertile novel, teeming with life, colour, heart-stopping language, wry comedy and a hint of magical realism. Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother’s factory, they try to craft a childhood for themselves amidst what constitutes their family — their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist and bottom-pincher) and their avowed enemy Baby Kochamma (ex-nun and incumbent grand-aunt).
What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20
In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves:The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from The New Yorker over the same period.
Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the “dog whisperer” who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and “hindsight bias” and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.
“Good writing,” Gladwell says in his preface, “does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else’s head. What the Dog Saw is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.
Imaginary conversations between Marco Polo and his host, the Chinese ruler Kublai Khan, conjure up cities of magical times. “Of all tasks, describing the contents of a book is the most difficult and in the case of a marvelous invention like Invisible Cities, perfectly irrelevant” (Gore Vidal). Translated by William Weaver. A Helen and Kurt Wolff Book.
A magical book… . A prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard. -from the foreword by John R. Stilgoe
In The Winner Stands Alone, Paulo Coelho has returned to the important themes of Eleven Minutes and The Zahir: Love and Obsession. He offers a suspenseful novel about the fascinating worlds of fortune and celebrity, where the commitment to luxury and success at any cost often prevents one from hearing what the heart actually desires.
Coelho takes us to the Cannes Film Festival, where the so-called Superclass gathers——those who have made it in the dreammaker’s world of fashion and cinema. Some of them have even reached the very top and are afraid to lose their lofty positions. Money, power, and fame are at stake——things for which most people are prepared to do anything to keep.
At this modern vanity fair we meet Igor, a Russian millionaire; Middle Eastern fashion czar Hamid; American actress Gabriela, eager to land a lead role; ambitious criminal detective Savoy, hoping to resolve the case of his life; and Jasmine, a woman on the brink of a successful modeling career.
Who will succeed in identifying his or her own personal dream among the many prefabricated ones——and succeed in making it come true?
This is an updated version of the enduring classic that first introduced the concept of “imperfect beauty” to the West. Text, images, and book design seamlessly meld into a wabi-sabi-like experience.
Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete …wabi-sabi could even be called the “Zen of things,” as it exemplifies many of Zen’s core spiritual-philosophical tenets …Wabi-sabi is the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West …Wabi-sabi, in its purest, most idealized form, is precisely about the delicate traces, the faint evidence, at the borders of nothingness …
Author Leonard Koren was trained as an architect but never built anything—except an eccentric Japanese tea house—because he found large, permanent objects too philosophically vexing to design. Instead he created WET: The Magazine of Gourmet Bathing, one of the premier avant-garde magazines of the 1970s. Subsequently Koren has produced unusual books about design- and aesthetics-related subjects. Koren resides in both America and Japan. For more information, visit www.leonardkoren.com.